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2010 Hogar Collection Gallery, New York, USA.
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2009 La couleur de l’eau. D’Est et d’Ouest Gallery, Paris, France.
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2008 La couleur de l’eau. Pavillon de l’eau, Paris, France.
Artemisa Gallery, Brussels, Belgium.
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2007 Angers-Buenos Aires. University of Angers, France.
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2006 About the painting. Hogar Collection Gallery, New York, USA.
Carta et aquarello. Instituto Italo Latinoamericano, Roma, Italy.
Arboles. Karen Boltax Gallery, New York, USA.
Ouvrir le rien. Pax Gallery, Virginie Boissière Art Contemporain, Knokke-Zoute, Belgium
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2005 Scope London. Virginie Boissière Art Contemporain, London, England.
Del Infinito Arte Gallery, Buenos Aires, Argentina.
Consulate General of Argentina Art Gallery, New York City, USA.
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Martín Reyna’s recent works expand and meld his ongoing exploration of landscape, architecture, the void of nothingness and light. Reyna’s paintings in their utmost, celebrate the accident as a thing that can be masterfully controlled. With the use of minimal gestures, his paintings provoke a poetic blurring of the distinction between recognizability, the purely abstract and the place where the two meet in a dreamlike state. In both his heavily textured oils on canvas and his intricately woven watercolors, a most vivid use of color plays a vital role in the representation of metaphorical analogies of existence and creation. With the use of familiar yet camouflaged imagery such as trees, geometric shapes and spatial perspectives, the works pave a way into a space where landscape meets an abstracted tapestry that weaves together the most miniscule of components to make up the whole. Refracting all of the possible colors of the spectrum into a transcendent space that is both contemplative and meditative. The prismatic qualities are fused to formulate and exude a metaphysical by-product where particles collide, explode and separate creating a unique and spiritual view of the universe.
Todd Rosenbaum
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